Activity for fedorqui
| Type | On... | Excerpt | Status | Date |
|---|---|---|---|---|
| Comment | Post #286566 |
That is an interesting insight I was not aware of, @gmcgath. And was it such a cultural reference of enough "power" to be understood like this? (more) |
— | almost 2 years ago |
| Edit | Post #286566 | Initial revision | — | almost 2 years ago |
| Question | — |
Is there any cultural background in Bob Dylan's "Boots of Spanish leather" final desire? I recently discovered Boots of Spanish Leather, a 1963 song by Bob Dylan through Joan Baez's cover in Any Day Now (1968)). Its lyrics really moved me, so I tried to understand them deeply. The Wikipedia article (linked above) explains the meaning perfectly: >The song is written as a dialogue, w... (more) |
— | almost 2 years ago |
| Comment | Post #280345 |
Excellent! Not sure what you refer to with _alberti notes_ (more) |
— | over 3 years ago |
| Edit | Post #280208 |
Post edited: |
— | over 3 years ago |
| Edit | Post #280208 | Initial revision | — | over 3 years ago |
| Question | — |
Why is Rachmaninoff's Piano Concerto No. 3 considered one of the most technically challenging piano concertos? I recently watched the film Shine (1996, by Scott Hicks). It depicts the life of the pianist David Helfgott. As Wikipedia explains in Shine (film)): > In London, David studies under Dr. Cecil Parkes (John Gielgud) and enters a Concerto competition, choosing to play Sergei Rachmaninoff's enormou... (more) |
— | over 3 years ago |